Tweet of the Day: Writing Excuses 7.38: Writing Love Scenes
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It seems I run out of world building posts. That happens, so this will be last one for awhile. I’m hoping I can fill the slot with something just as useful but I can’t make any promises. I will endeavor to keep posting stuff on a weekly basis, if possible with an eye at sharing important info with my fellow scribes. If you have any suggestions, this would be a great time and place to make them.
🙂
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A common technique among spec-fic writers is to create a character that embodies the whole of a society.
Useful shorthand? Maybe.
Something to be avoided? Definitely.
While it saves on the info dumping, it also turns that character into a paper thin stereotype (in and outside of the book) and whatever relevance it had to the plot (other than its cultural background) disappears. This creates a situation where a character who by necessity breaks with the cultural norms imposed on it also breaks the readers suspension of disbelief. If character is culture and the culture behaves in a certain way then the character must behave that way.
Catch-22.
Another problem is when the character is a villain. Since the character itself is just window dressing for the fictional culture, unfortunate implications are bound to occur. Most often the character becomes a strawman for whatever the author doesn’t like as in “I don’t agree with X, so lets make a character that showcases everything wrong with it.” A good way to veer into Author’s Tract territory.
You can (and should) ground your characters in the culture that creates them, just don’t make them a stand in for them.
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